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The Legend of Genghis Khan by Sutapa Basu has been published by Readomania recently

Sutapa Basu’s earlier two works Dangle and Padmavati had strong women protagonists. But this time she has turned her attention to a man. It’s not just any man it’s Genghis Khan, the historical figure, who has been known as one of the most ruthless conquerors in history. Basu’s story brings forth different aspects of the character of a man that has rarely been talked about. The writer for instance, points out that Genghis Khan believed in equal rights for women and property rights for widows and gave administrative position to women in his army. This was at a time when women were treated as mere shadows of men.

In this interview Sutapa Basu says why she wanted to write a book on Genghis Khan, how difficult it was for her to do the research and how she took help from a Mongolian language expert.

The interview:

In both of your earlier books Dangle and Padmavati the protagonists have been women. Is it the same with Legend of Genghis Khan?

No, it is not. Here the chief protagonist is Genghis Khan, an ultra-masculine figure.

We know very little about the lives of women during Genghis Khan’s time (1162-1227). Does your book shed light on that?

Certainly. A unique aspect of Genghis Khan’s administration was the revolutionary change in the status of women of his Empire. These changes are remarkable given that during the 11th and 12th century women were little more than chattels of men across the rest of the world and especially in the so-called civilized Europe. Genghis Khan bestowed women with equal rights as men so that they were respected as matriarchs of their families. Property of widows remained with their families. Thus, his men went into battle with an assurance that their families will not be deprived on their death. Even a share of the plunder was handed over to the bereaved families. Genghis Khan encouraged women to train in warfare and often during his campaigns they were given administrative roles in his army when the men were busy fighting. The conquest of Nishapur during the Mongolian campaign of Khwarezm was spearheaded by Genghis’ daughter.

Sutapa Basu did extensive research to write the book

Why did the character of Genghis Khan interest you and how did the idea of creating a mystery woman and weaving a story around it come to you?

After the accolades Padmavati received, I was encouraged to go beyond Indian history and look for a World History figure to write about. I began to research and quite soon Genghis Khan stood out among historical personalities. He was head and shoulders above all. I realized that other than a couple of academic books, nothing much had been written about him that would interest story seekers. And yet his life itself had been like an unbelievable story. Very little was really known about him other than the fact that he was a ruthless conqueror. As I delved further into his life, I was intrigued to discover endless depths to his personality. There was no question of looking anywhere else for my protagonist for the great Khan had eclipsed everyone else.

The idea of creating the mystery woman came from one of the many anecdotes connected to Genghis Khan’s life.

How did you do the research for the book?

I researched by reading printed books and downloaded PDFs of books on Genghis Khan and the Mongol Empire, saw documentary films on Genghis Khan and did online research on customs, food, clothes, language, maps, environment specific to the historical period and region. I was very fortunate that I was guided and mentored by the famous historian and Mongolist, Dr John Man. I got all the regional terms in the book validated by an expert in Mongolian language.

“I was very fortunate that I was guided and mentored by the famous historian and Mongolist, Dr John Man.”

Was it difficult to write a book on a historic character like this or did you breeze through it?

I certainly did not breeze through it. There was a great deal of concerted research and painstaking effort but when my passion is involved nothing seems like work, nothing seems difficult. I enjoyed every bit of it.

How long did you take to write this book?

It took me around 7-8 months to give my final manuscript to the publisher.

What is your writing regime like and do you have any rituals, superstitions or eccentricities?

I prefer to write at my desk in my study, though I do jot down points on my phone or a small notebook on my bedside table when inspiration strikes. Usually, I try to write every day. My only superstition is I don’t discuss the topic of my book with anybody other than my publisher until it is published.

There are a number of books available on online sites on the legend. How is your book different?

I discovered a few academic books written by Dr John Man. There are English translations of The Secret History of the Mongols and ‘Ala-ad-Din’ Ata-Malik Juvaini’s Genghis Khan, The History of the World Conqueror which I read.

My book is different because it explores the whys of Genghis Khan’s life. I have attempted to find the man behind his universally redoubtable fame. Who was he? Why did he do what he did? What makes him tick? I firmly believe that through my story, Genghis Khan will come alive for the readers. He will no longer be a cardboard cutout of a bloodthirsty barbarian that many historians have made him out to be. Readers will see him as a man of great strength and indomitable will who struggled against and won over circumstances that would have destroyed a lesser man.

“He will no longer be a cardboard cutout of a bloodthirsty barbarian that many historians have made him out to be.”

Padmavati was made into unauthorized copies and were sold at roadside stalls. Did this flatter you or distress you?

I would say piracy of a book is a compliment to its author. Yes, I was very flattered that there was such a demand for my book that book pirates found it profitable to make it into contraband.

As an author what makes you most happy and terribly sad?

I am most happy when a reader identifies so much with my protagonist’s pain that he/she passionately accuses me of wrongfully putting the protagonist through so much suffering.

Sad? I am sad when I see people spending so much on food, clothes or other luxuries but not on books even though they cost much less.

“I am sad when I see people spending so much on food, clothes or other luxuries but not on books even though they cost much less.”

What are you working on next?

Another historical fiction. Maybe a nonfiction book too.

About the author:

Sutapa Basu is the best-selling author of Padmavati, The Queen Tells Her Own Story (2017, pub Readomania), a historical fiction. She has authored a psychological thriller, Dangle (2016, pub Readomania) and her second historical fiction, The Legend of Genghis Khan has been released on 20th September this year. A poet, author, publishing consultant, she is the 2016 First Prize winner of the Times of India’s Write India Campaign for Amish Tripathi.

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Wonderful piece on writing and “becoming” a writer…

irevuo

“Don’t be a ‘writer.’ Be writing.”William Faulkner

Ten steps to being a writer. Five rules to writing a great novel. Or seven rules. Or fifteen. It doesn’t matter. It doesn’t matter how many rules, how many steps, how many lessons, who gives the advice, and what intentions they had behind it, because most of you don’t even see the staircase.

You want to know the truth?

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Sukumar Ray and Suprabha Ray

By Tumpa Mukherjee

On October 3 this year it was the 125th birth anniversary of Suprabha Ray. The present generation has hardly heard her name and perhaps the world knows her just by one line – wife of Sukumar Ray and mother of Satyajit Ray.

But her existence and identity was much more than this one line. I am privileged to be born in a family, which knew her very closely. My dadu (my maternal grandmother’s own brother) Dr Surit Mukherjee, was her physician. But she treated dadu like her own son till the last day of her life.

Dadu was popularly known in his time as Noshu babu and I called him Chini dadu. It is unfortunate that Chini dadu is no more with us but everyone, who had ever interacted with dadu, still speak about him with fondness and respect.
In my family my mamas, mashis called Suprabha Ray Tulu mashi. They still speak about Tulu mashi. She was a very strong and dignified lady. After the untimely death of Sukumar Ray and the failure of their family printing business, she moved with her three-year-old son to her brother’s place. But she was never a burden on him.

As a young widow she traveled everyday by bus during 1930s and 1940s from South Calcutta to North Calcutta where she worked as the Superintendent of the handicraft department at Vidyasagar Bani Bhawan”

As a young widow she traveled everyday by bus during 1930s and 1940s from South Calcutta to North Calcutta where she worked as the Superintendent of the handicraft department at Vidyasagar Bani Bhawan founded by Abala Bose. I have heard stories from my mom and mashis that she used to tell my grandmother that nobody knows how she struggled and brought up Manik (Satyajit Ray) single handedly.

She was excellent in knitting and stitching especially Kashmiri stitch. In fact Kashmiri wallahs (people coming from Kashmir to sell products in Calcutta) would be stunned seeing her Kashmiri stitch. She was a brilliant cook and excelled in both vegetarian and non-vegetarian dishes. She made excellent payesh and she would keep it for my Baromama (mother’s elder brother) because he was very fond of payesh.

She had made a sweater for Manik using two strings and by making knots with the strings, but later on gave it to Baromama. He told me that whenever he would wear the sweater, people would ask him who made it.
It was Chini dadu who convinced Suprabha Ray to accept Manik’s (Satyajit Ray) decision to marry Moinku (Bijoya Das). She was initially not sure because they were first cousins.

Later when Satyajit Ray, after his marriage went abroad, Chini dadu and his family, comprising my dida (Joytirmoyee) and their daughter Krishna and son Bachu, went and stayed with them.

Krishna mashi called Suprabha Ray Didimoni. She told me every morning she would wake up and sing Brahmo upasana sangeet in front of Sukumar Ray’s photograph. She was a very good singer. She had recorded a song with HMV in Calcutta. She used to teach Krishna mashi and tell her stories of Brahmo Samaj, Sukumar Ray and other things that interested her. She would draw two lines and then would make different types of floral designs. She was a perfectionist in everything. from cooking to knitting.

Every afternoon she would sit with my dida and other women and would teach them different types of stitches, different types of cutting, making shameej (a blouse worn mostly as undergarment by women of late nineteenth and early twentieth century), katha. She used to make panjabi, pyjama for her sons which included my dadu.

She was a good sculptor too. With the help of norol (traditional nail cutter) she would draw on a slate. 

She was a good sculptor too. With the help of norol (traditional nail cutter) she would draw on a slate.  In fact she had made a lovely bust of Gautama Buddha which I saw occupying pride of place in Ray’s Bishop Lefroy Road home.

In fact, during Krishna mashi’s wedding it was Manik (Satyajit Ray) who had drawn her biyer piri (flat wooden desk type where traditionally Bengali brides sit for marriage).

Suprabha Ray breathed her last on November 27, 1960. It was Chini dadu who performed the last rites. Since Manik was heartbroken and refused to light the funeral pyre, Chini dadu performed the last rites.

I am told she was very down-to-earth, simple, but a strict disciplinarian. It is very sad that very few people know about her talents and potentials. I think she got completely overshadowed by her genius husband and internationally renowned film maker son. I think she was a woman who suffered happiness and sadness simultaneously. After seven years of her marriage her son Manik was born and at that time Sukumar Ray fell ill and subsequently died of Kalazar. From the age of 2 years 4 months she brought up Manik alone .

Satyajit Ray is a renowned name, in fact, a cult figure in Bengal. He enjoys a demi-god status among Bengalis. But he never inherited the creative instincts of his family through direct interaction with his paternal side. Upendrakishore Ray Chowdhury died six years before his birth. Sukumar Ray died when Satyajit was two years 4 months old. But it was his mother who brought him up, taught him, looked after him, cared for him, communicated their creative, literary legacy to him. But it is an irony of patriarchal society that Satyajit Ray is referred mostly as grandson of Upendrakishore Ray Chowdhury and son of Sukumar Ray. Suprabha Ray has faded into oblivion.
But she has always remained with me ever since my childhood through oral narratives of my family members.

Tumpa Mukherjee is working as Assistant Professor in the Department of Sociology , Women’s Christian College, Kolkata and is researching for a book on Suprabha Ray.

Indrani Ganguly is the Managing Editor at Readomania

On International Women’s Day I start a series of interviews of women who are fortunate and motivated to be doing what they like doing and what they have always wanted to do. I start the series with the interview of Indrani Ganguly, who was a journalist but editing books gives her the greatest happiness. She is the Managing Editor of the publishing house Readomania. She is a stickler for perfection but not one whose opinion would override others. She believes in her own independence and individuality and respects others’ individuality too. She is one gutsy lady with a great sense of humour, a devoted mother and someone who has the conviction to achieve her goals if she sets her sight on it.

In this interview Indrani talks about the hard work that goes into making a book and her positivity is something to learn from.

How was your experience of editing Onaatah, the National-award winning film converted into a book, which is being launched today?

Onaatah–daughter of the Earth‘ written by Paulami Dutta Gupta is one of the most relevant and sensitive stories that I have edited. Though the peg of the story is dark, the treatment is not. What starts on a poignant note turns into a story of hope. There is no feminist statement or activism in the book. It is a story about simple people and how they help rehabilitate a rape victim by treating her with love and compassion. We see that while the urban educated people treat a sexually assaulted woman as an untouchable and a pariah, the simple rural and uneducated people have better senses. There is a lot of class-based hypocrisy in our country when it comes to a sensitive topic like rape. This book addresses that.

The movie has won the National Award and been showcased in most important film festivals across the country. Rape is a life-altering event, but it is not the end of life. I sincerely hope ‘Onaatah‘ manages to sensitize people and make them treat a raped woman not as a victim but as a survivor.

From being a journalist to a books editor, how has your journey been?

Having done my post-graduation in Journalism specialising in Print media, I started my career in the newsroom. It is one of the most exciting places to be in. The energy is high octane and edition-time atmosphere is insane. Initially I was baffled but soon got sucked into the world of deadlines, minute-to-minute agency wire checking, staying around for run editions and working the graveyard shift. The transition from media to publishing was brought about by a location shift in 2005. Though the pace wasn’t as hysterical, I was doing one non-fiction book every five days. So I wouldn’t call it slow either. I had a very supportive senior editor who taught me the technical nuances and I took to manuscript editing like a fish takes to water. I started fiction editing from 2012 and realised how creative and fulfilling it is. A good editor can turn around a mediocre manuscript to a brilliant one by developing it. There has been no stopping since then. I continue doing academic and non-fiction editing but fiction is what I do every day.

What it is like to be the Managing Editor at Readomania?

Overwhelming actually! Readomania’s Director Dipankar Mukherjee has placed immense faith in me and I cannot let him down. The responsibilities have definitely increased as expected. We have some very interesting titles lined up this year. We also plan to build the children’s literature line. Dipankar wants me to be responsible for that. We are also going big on non-fiction and will also classify our fiction titles. I connect a lot with Dipankar’s vision and I want to stand by him and turn it into a reality. Also Readomania is like one big literary family with a young and dynamic team and some extremely talented authors.

MSQ is your first book as an editor of an anthology and it’s selling like hot cakes. Why do you think people are picking it up?

Technically Mock, Stalk & Quarrel is my second anthology, first as a solo editor though. I was the editorial mentor of Defiant Dreams–Tales of Everyday Divas. That was my first experience as an anthology editor. MSQ is definitely my baby. It is a collection of satirical tales, which emanated from a nationwide contest conducted by Readomania in the summer of 2016 to identify powerful voices that could wage an ideological war against issues that matter. It is an extremely relevant book especially in today’s socio-political milieu. This book takes on some serious issues that ail our country, in humorous, ironical stories. There is a lot of angst in people’s minds and we felt that could be channelled into hard-hitting satire which would not only force people to read but also discuss and debate.

What was the toughest part of editing 29 satires?

We at Readomania are very particular about the quality of our books. Each Readomania book goes through three editorial stages – development, copyediting and finally, at least three levels of proofreading. Things are easier and quicker when it comes to single-author books. Anthologies, however, take a little more time as I had to individually develop each of the 29 stories, send them back to the respective authors for rework and then copyedit the rewritten stories. The manuscript was proofread at four different levels by a team of editors and then finally me. The toughest part, I would say, was harmonising with 29 extremely sharp brains. An editor needs to be very tactful and also accommodating when dealing with so many creative people. She is after all the captain of the ship.

Heard MSQ could make it to the record books? Why is that?

Yes MSQ India’s first satire anthology. We not only created something relevant but also something unique. We will be approaching Limca Book of Records soon for the official endorsement.

You have a fantastic sense of humour and a way with punch lines; how good are you with writing satire yourself?

Ha ha, thanks. Not many appreciate my wry wit though but it is now an intrinsic part of me. If I didn’t have the essence of satire in me, I don’t think I would have been able to develop and edit this book. Satire exists as a way to ridicule and critique the follies of humanity. Through its heavy use of sarcasm and irony, contemporary satire is a sort of glass that reveals some of the silliness of modern life. However, one has to be careful that humour doesn’t become slapstick; irony doesn’t become pithy. I think I have that understanding and feel I can dish out satire too.

Coming to your personal life, you are a single mom with a lovely daughter. Have you ever thought about writing your personal journey?

My life has been quite eventful for sure. A dear friend of mine actually wrote a story on my life which garnered a lot of votes in a short story contest. I think in prose. I always pen down my feelings, although I never share those with anyone. There have been many ups and downs in my life since my preteen days, events which have shaped my personality. Maybe one day I will chronicle everything for my daughter and if she feels it is worth sharing, we can have a book out of it.

How difficult or manageable life has been as a single working mom?

Initially it was extremely tough but now I guess I have got used to it. Work for me was an escape. I used to work for very long hours and it was causing health issues. I still work long hours and most weekends too but I also keep some time for myself. Work no more is an escape; it is a source of tranquility. A child is ideally brought up by both parents, but not everyone is so lucky. I try to fill the gaps in my daughter’s life as much as possible. I don’t treat single parenthood as a handicap. It is in fact empowering. There are some challenges of course. I do wish I could travel a little more though, both for work and pleasure. It does become overwhelming when you have a deadline and also a PTM to attend. Most nights I am busy helping my daughter with her school project after 11pm. But at the end of the day I ask myself—would I have been happier if I had all the freedom in the world but not my daughter with me? Of course NOT! I have now learnt to balance everything in my life and am a happy person. And my happiness reflects in my daughter’s smile.

What would be your message on International Women’s Day?

Your life is your own story. People will come and go just like characters in a story. Do not let anyone’s presence or absence affect you so much that it alters the course of your journey. Stand up for your rights and do not let anyone take you for granted. Love your friends and stay connected with them. And ladies, education is your best friend!

 

 

Ayoti Patra, who is a PhD student in the US just couldn't believe the NASA scholarship news

Ayoti Patra, who is a PhD student in the US just couldn’t believe the NASA scholarship news

Since Ayoti Patra wrote on her Facebook note that Sataparna Mukherjee, the girl from Kamduni in West Bengal, has possibly not got a NASA scholarship, she has been bombarded with abusive messages but at the same time she has shown the right path to the Indian media (here is the original story) who quickly took up her lead. But who is Ayoti Patra and what made her take this step?

Here she is in her own words:

Can you tell us a bit about yourself?

I am a PhD student of Physics at the University of Maryland, College Park, USA. I did my M.Sc from IIT Kanpur and B.Sc. (Honours) from St. Stephen’s College, New Delhi. I have spent my entire childhood and did all my schooling from Hyderabad. Although I am a Bengali, I have been to West Bengal only to visit my relatives. I mainly spend my time on theoretical research on ‘Optimal Control of Quantum Systems’. Apart from that, I also listen to Hindustani Classical Music being trained in it.

Where did you first read about Sataparna Mukherjee and the NASA scholarship?

I subscribe to a couple of news channels on Facebook. I came across it in the Times of India, The Logical Indian, etc.

What made you doubt the credibility of the news?

The news article had not one but multiple flaws.

-Getting a single offer valid for graduation, post-graduation and PhD without even clearing the 12th boards is something that can NEVER happen in real life.

-One cannot get an offer for studying Aeronautical Engineering for a theory in black hole! To do research in black hole, you need to study Astrophysics which is unrelated to Aeronautical Engineering.

-She will simultaneously study English at Oxford University! This is impossible again.

-NASA, a federal agency of the US making an offer to an Indian for studying in UK! It has to be a big joke.*

* For the sake of completeness, I would like to mention that it is possible for an Indian citizen to work at NASA as a postdoctoral research fellow, as a contract worker or as a PhD student affiliated to a US university. My university is less than 10 miles away from the NASA Goddard Space Flight Centre, where my husband works. He is a PhD student of Astronomy at my university and works on a project at NASA. This is the official page of the project he is working on (http://asd.gsfc.nasa.gov/bettii/index.html). If you click on the ‘People’ tab, you will find my husband Arnab Dhabal listed there.

 What did you do after that?

At first, I just commented on the news articles that this cannot be true. I did not use any foul language but I was abused by quite a few people. Without doing a basic search about NASA or about my background, they said things like “You are a fool”, “People like you who always find faults and cannot appreciate true achievements are a shame to the country”, “It is because you are so stupid that you are nothing today, and she will go to NASA in a few months”, etc. It frustrated me a little and I became curious to find out some more about the girl. I searched for her Facebook profile (https://www.facebook.com/sataparna.mukherjee.5), through which I got the links of the two videos. Once I watched them, I thought enough is enough. Being a physicist, I took the nonsense about black hole quite personally. I decided that I have enough evidence against this news and I must do something about it.

 Were you aware that you were actually taking on the entire Indian media when you wrote your facebook post? Did you think that your post might go viral?

Definitely not. I am very inactive on Facebook and have a dormant profile. I was not even sure if all my friends could see this post on their wall. I had no idea it would get noticed and have an impact.

Do you think Sataparna has been duped or is she lying?

When I posted the note, I believed it could be either of the two options. But since then, I am gradually inclined to believe that she is probably lying. Since the post went online, I got a few messages from people claiming that they know her and that she plans to file an FIR against me. Some also claimed that she was a poor student who does not have maths as a subject. I have no means to verify if these claims are true. But this morning I received a message (image attached in the email) from her friend (https://www.facebook.com/sangeeta.bauli?fref=ts) which was written in a very bad tone challenging me to meet them face to face if I have guts. If she was duped, she should have clarified that she made a mistake or in the least looked into it herself. Instead, I have seen news reports like this where she still maintains that she did indeed win some NASA fellowship: http://www.dnaindia.com/india/report-nasa-denies-selecting-18-year-old-west-bengal-girl-for-top-scholarship-2185132

 Does it make you happy that many people and a section of the media followed up your post?

Yes, certainly. I am glad I was able to make a difference.

 Does it bother you that many news agencies are not giving any credit to you but are going ahead with their own stories about the hoax?

My only intention while writing the post was to expose the hoax, not to gain fame. Since that has been achieved, my job is done. However, I did not expect to see my surname changed from Patra to Mitra as in this article: (http://www.deccanchronicle.com/science/science/030316/shocking-nasa-shrugs-off-west-bengal-teenager-s-gip-scholarship-claims.html)

 Have you done something like this before too? (getting to the bottom of a hoax that is)

I always do to the extent I can. The only thing I have done differently this time is to publish my findings, the response to which has been overwhelming. I would like to thank everyone who has appreciated my work. This has certainly motivated me to be more vocal and spread awareness. In fact, let me grab this opportunity to promote Bigyan – a Bengali science magazine for the general audience (https://www.facebook.com/bigyan.org.in/?fref=ts), which was started by some of my friends.

 Your message to the Indian media and young people…

The media is very powerful and should act responsibly. They should not indulge in the race of being the first to get a sensational news out. Proper verification of the authenticity of a piece of news should be done before publishing it. Readers should not blindly trust whatever they see on social media either. A simple internet search can go a long way.

Another matter that I would like to draw attention to is that in India, too much importance is given to personal achievements like getting admission into a top international college, getting a high rank in IIT etc. Even the highest salary package becomes news these days. These are definitely important for the person concerned, but should not be grounds of hero worship. I believe that instead of focusing on these type of achievements, young people should focus more on the actual impact that someone brings about, be it in art, science or industry. Invention of a new technology should be bigger news than someone getting a NASA internship. The reason we have Sataparnas and P.V. Aruns today is because of the glorification of the wrong kind of accomplishments by the Indian society.

 

 

Sharmila Bhowmick got to the bottom of the mobile phone scam

Sharmila Bhowmick got to the bottom of the mobile phone scam

A refrain that we often get to hear is investigative journalism is dead. But Sharmila Bhowmick is clearly not one to believe in that. That is why she went all the extra miles to get to the bottom of one of the biggest scams happening in India in recent times.

To know about it read her article here 

Sharmila tells us how she did it:

It just sounded too good to be true”

One of the most interesting stories ever; basically where a few simple questions thwarted a major botch up. After the gala launch of ‪#‎Freedom251, I only just decided to land up at their factory to follow up on what had caught the imagination of the country: an unbelievably cheap phone at Rs 251.

The look and feel of the place spoke for its self. In a rushed interview, the company owners said that they had not got factories yet, they didn’t yet have a phone; but they had procured 25 lakh bookings online. It pretty much seemed like a product being sold on the basis of an idea. It is the age of selling ideas anyway, and Goel seemed to have caught that nerve.

Next day, I found something new, vouchers of Freedom251 being sold in the village markets of interior Noida to really poor people. No mention was made by Goel & Co about on ground sales before.

On the first day after the mega launch when I went to the corporate office he said , “I have completed my target of 25 lakh bookings.” Then someone from his office later in the evening said we have registered 7 crore bookings online.
Next day, I discovered they were selling vouchers to really poor people which was not even mentioned by them when we spoke.
Then I spoke to these people who were buying the vouchers and they said, “We were told its a Government of India scheme, under the Make in India scheme so we have booked 4-5 phones for gifting during festivals.”
The numbers said almost 1 lakh people had booked more than one phone each since it was just Rs251 and they had already paid for it.
I wrote an article on what I found out about the voucher.
Next day the company started saying, “We will sell 25 lakh phones, offline too.”
So basically it came to 50 lakh phones they would make and sell between April 10-June 30 without a factory or even a phone model to show.
However the booking on ground stopped immediately after the story. The promises and plans from the company kept changing and evolving.

With all doors closing and an FIR lodged by one of its vendors; yesterday Goel confirmed that he is refunding all the money. But added that as and when the phone does get made, it will be delivered on a cash-on-delivery basis.

They still don’t have a factory, they still don’t have a phone to show.

The whole point in doggedly following the story to this end is only to show, how easy it is to sell anything to the mass. It also shows how reporters really increasingly need to go to the closest point of the origin of news to get the truth out. You get nothing at media events, go to the ground and while on the ground, go closest to the spot.

Had I not gone as far as the Ringing Bells office gates, I would have possibly never been able to bring out what it was all about; and possibly a lot of water would have passed under the bridge before someone shouted SCAM!

“For journalists there is never any substitute for leg work”

There is always a good story to be told. So find it, and say it well. That is simply the inner guide I look for while hunting for a story. Only this, has led me to break and bust quite a few virulent scams – sand mafia, real estatae scams, a Muslim’s-only apartment scam where poor Muslim’s were conned – over the last few years. Use technology well, but don’t become its slave. A good reporter has sharp eyes, a sharp nose and is never credulous. A good story today is still a harvest of great foot work and real interaction with human beings. Go to the ground; while on the ground, go closest to the spot. There is no substitute for leg work. Reporting is and will be, the soul of journalism.

“I was so thrilled to report stories I worked without money in my first job”

It was one day, while waiting for a professor to arrive in class and then being told that she was not turning up, that I decided that I would rather use my time productively, while doing some real work and not waste time. I dropped out of my MA course, after a full year’s labour; much to the chagrin of the professors for wasting a precious JU- Comparative Literature MA seat. I started working for free with MJ Akbar’s Asian Age. I did somehow complete a journalism diploma from the University in an evening course, after work. By the way, since high school and since I was 17, I have been financially independent and even funded my own education.

The Asian Age was the most thrilling experience ever. I used to submit my stories written in long hand, when someone introduced me to computer typing. Soon, I got hired by Newstime, a Hyderabad-based paper’s Kolkata bureau to cover the Calcutta political scene. After this, I joined The Hindustan Times, Kolkata. I became the only girl, in an all-male bureau, covering hard news. But the scenario changed after a few years, when women joined.

I left Kolkata for Delhi in 2004 and joined HT digital, New Delhi. I arrived in Delhi without an appointment letter, just on the basis of a word of my would-be boss, Sanjay Trehan. However, I was given the letter within minutes of reaching office.

I was producing the world pages for the portal and then Sanjay quite unbelievably gave me permission to write a preposterous single-woman column: Girl Talk. The column, though outrageous at times, became very popular.

After a while, I decided to quit mainstream media for a bit, and got hired by Sankarshan Thakur, the then Executive Editor of Tehelka to write for and produce its feature pages. I did that for close to a year. After a year, CNBC hired me to research and write a documentary series of shows called Business Legends, the pillars of India’s corporate history.

I got to work closely with Victor Banerjee and direct him as well. I also produced a series called the Lessons-In-Excellence, a sort of master-class series on business strategy. This was my longest stint at any place ever. In eight years, I produced hundreds of documentary films and shows.

But as they say, once a reporter, always a reporter. When I heard Times of India was launching an edition in unchartered journalistic greenfield like Noida and Gurgaon, I had to put my foot in.

The real human stories, seldom lie in the centre of buffed and polished metropolis they are always in the subaltern, the hinterland. NCR is like that. It has the issues where the rural meets the urban, how lives are changing; how cultures are clashing; how the glitz of the urban is inducing aspirations and the fall out of that. You actually live within a few kilometers of a real village and a kilometre away from the country’s biggest mall. It is an interesting landscape, with numerous untold stories, waiting to be told. I’m enjoying every bit of it.

Sharmila Bhowmick 39, is an Assistant Editor with The Times of India. When she is not on a story trail, she is either painting or sculpting. She lives with her six-year-old daughter.

On the evening of Feb. 14 my mother and I spotted a young girl from our balcony on the sidewalk opposite our house, barely able to walk. A guy quickly came up behind her and gave her support so that she would not fall. Then two more men in their early 20s stood with her. They put two glasses of yellow-looking fluid on the top of a random car and started taking selfies with the girl, crushing her in their midst. She kept leaning on one guy or the other and they took turns in picking her up, groping her, touched her wherever possible and all this we kept watching from the balcony with rising fear.love

My 75-year-old mother, who reads the newspaper every morning from the first to the last line, and who couldn’t be more clued in on violence against women in India, was alarmed that the intention of the young men was just not right and we should take the initiative to save the girl. “What if they are making an MMS? What if they have given her a date rape drug? What if they plan to rape her?” my mom’s mind went on an overdrive.

I first told her, “For all you know the girl is consenting in this.” But as the minutes ticked by the groping and touching and picking up and photographing continued without a break. I also started getting alarmed.

My parents have been living in the same locality for the past 34 years, and it’s a locality where almost everyone knows everyone. Although a number of new restaurants and stores are coming up in the locality in recent times because of the convenience of the location, the essence of the place continues to be the same.

I noticed from the balcony that all the security guards, of the neighboring buildings and restaurants had also noticed. Some people in the locality stood a distance away and watched but they didn’t know if it was okay to intervene.

At my mother’s behest I finally went down and intervened. I asked the girl her age and she promptly said she was 17 and pointed at the tallest in the group of three men and said, “He is my Bha-lentine and I am in a relationship with him for three years. We are celebrating Valentine’s Day.”

I said, “That’s fine but which Valentine would allow his friends to grope his drunk girlfriend openly? Don’t you think something is wrong here?”

I added, “Are you aware that drinking below 18 is illegal?” pointing at the half finished bottle of whisky that was standing on the footpath next to them.

The girl, who was unable to stand straight for a moment, was suddenly all erect and spoke clearly, without slurring. She said sorry promptly.

I asked for her parents’ phone number and wanted to call them so that they could take her home and told her if she did not hand me the number I would call the police.

The word police had two kinds of effect. While the girl recoiled and said she was immediately going home the boyfriend said, “I am calling the police because you are harassing us.”

I said, “Yes please go ahead we are all waiting for the police. We will all tell them what has been happening here.”

By then a crowd had gathered and the boyfriend realized that they all knew me well and we were together. He decided to step back. “He will drop me home,” the girl said and started walking while the boys followed her.

As I had predicted, the girl knew what she was doing and maybe this was her idea of celebrating Valentine’s Day. I am not being judgmental. At 17 it is only expected that a young girl will be adventurous, will be eager to break the rules but what irked me was she was probably compromising her dignity, her safety by doing what she was doing. And no, she was not on a date rape drug, she was perfectly fine.

As the crowd dispersed it pained me to hear someone say, “This is why girls are violated in India.” Words I absolutely loathe because it shifts the blame on the girl but in this case I did not know how to react, what to say.

For the full article go to Asia Times